ECHO AND NARCISSUS
An
innovative choreography that blends the Mayurbhanji Chhau technique, a semi-classical
style from the east Indian state of Orissa with the famous classic Greek myth.
The Greek myth goes that Echo, seeing the beautiful Narcissus hunting in the forest,
falls in love with him. At first entices and then rejected by him, out of despair, she
loses her body and remains only a voice that cannot be silent if others talk, but cannot
talk if others remain silent. Narcissus, proud and unapproachable, and cursed by all the
nymphs to fall in love with somebody he can never get, falls in love with his own
reflection in the water. This insane attachment to his own reflection leads him to a
premature death.
Visually, Narcissus has been rendered as movement and Echo as vibration created by the
movements. By trying to escape from his own projections, Narcissus instead, gets more and
more trapped by them. His incapacity to relate to others and his introverted obstinacy
lead him towards a final dissolution into the water of the unconscious.
CREDITS
Date of production - April 1985
Choreography - Ileana Citaristi
Music - Igor Watkevitch
Duration - 18 min
Some press comments:
Set to the musical contribution by Aurovilles great gift to music, composer
Igor Watkevich, her choreography shone with the iridescence of a gem, the depth imparted
by severe practice and above all an intellectual approach to the possibilities of the
style. How balletic, how superbly modern, how expressive were the ways in which she used
the traditional Chhau topka and upli.
New Delhi, The Hindustan Times, August 25, 1986
With her svelte figure and complete command over the idiom she succeeded in
translating the images in an effortless manner. This inter-relationship between the
electronic music, the Mayurbhanji Chhau technique and exquisite lighting which played an
important role in this choreographic piece, put the number in a class by itself.
Calcutta, The Statesman, March 11, 1986
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